A source of Loop info on the Lexicon JamMan. JamMan Diagnostics – from the JamMan Service Manual. JamMan Memory – A collection of posts from the. I’m a guitarist, and I use a Lexicon JamMan for looping, as well as a Lexicon . to put my Vortex into the feedback loop of the JamMan manually, using a mixer. More info on the Digitech JamMan than anyone could ever want, and more is on its way! You may also be interested in the Looper’s Delight pages for the legendary Lexicon JamMan. Since there is some Digitech JamMan manual ( pdf).

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A substitute for feedback control while in loop mode. If lexiocn are interested, want to provide a review, user tips, or have any information on using the JamMan for looping, please contact us. Skip to primary content.

We are primarily playing guitar, bass, keyboards, sequencers.

Lexicon JamMan

You can sycronize it that way with the analog sequencer, sending out a trigger once a sequence to the BeatSync. You can Reverse the sample, but results of reversing during playback are disappointing.

janual You knew it had to come up again sooner or later, right? Some other things to consider are that the echoplex uses its own internal power supply, rather than a wall lfxicon, it can have much longer loop times, its memory can be updated with cheap and easily obtainable simms rather than hard to find zip memory, it uses higher quality sampling than the jamman, and it just does more stuff.

I tried it and it was interesting, but hard to control.

Lexicon JamMan | livelooping

Wed, 11 Jammman Chris Chovit: Am I missing something here? A track of janman sequencer was dedicated to sending a note on command- one per measure- to the drummer’s sampler. Wed, 9 Oct Rob Martino: The manual unclearly states that if you stop fading and start recording again the new recording is at the faded volume. In the hands of competent loopers, jammans and echoplexes both become obviously useful and exciting items. I should note that the JamMan doing Frippertronics is not identical to the tape setup, because it does not have the noise of the decks.

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You now possess a unique new are designed to free you from programming. We were and continue to be I think one of the very few song-oriented bands to be using techniques like these. We run five echoplexs, three jammans and various effect units off of the effect sends of our mixer.

Its the same sort of problem that Jon was talking about with the Vortex. It’s a short stretch to figuring out the temporal center, usually in BPM’s.

Lexicon JamMan Manual

The subject was about the Jam Man not allowing syncing with an Alesis drum machine playing odd time signatures. Each time you press it starts play from the beginning, goes on to the end and stops.

Tapping using the cheesy footswitches that come with the Jam Man is OK but the response time using MIDI to tap is almost instantaneous and my rhythmic loops have gotten noticeably tighter.

We run our instruments into the main inputs.


Dr M P Hughes: When you run any sound through Jam- 3. I’m a big fan of creating loops, especially ambient ones and sampling them for later tomfoolery, so alot of the composition was based around samples of rythmic loops with ambi-washes and further jwmman textures created spontaneously. This all manuak me to the Echoplex. If done in a certain way,the resulting layered loop will be a rhythmically complex melody which repeats itself once every time through the loop. Can the feedback level be controlled reduced on the Jamman without using this Midi fade?


I just turn down the effect send on my Mackie on the guitar channel and jam along. Looks like we, loopers, manusl finally coming out of the closet! How well do they work together? The plex can sync to pulses, using the BeatSync input.

I have found that: How do you manuao the beast? If you run looping device off the effect SEND, then you can send only the signals you want to loop. You don’t have any continuity, so your loops can’t grow and evolve into something else.

We started with a single 16 track alesis mixer.

One thing that I like to do with my JamMan is layer loops that are in identical tempos but different time signatures. After that you can select one of 3 functions: Then again, when on top of that you are using something like a JamMan or Echoplex, it’s just a matter of getting into practice in creating rythm loops on the fly The guitars are played through small, high quality guitar combos and feed a line out into the main mixer inputs.

You can do pexicon lot with just the three most basic functions – Record, Overdub, and Multiply. Jon Hassell, one of the true originators of the “instrument” does some awesome stuff with his bands. Or reverse, BeatSync can also be configured to put out a trigger once a loop.